Browse > Year > 2020
Number of items: 72.
Ameen, Nisreen and Shah, Mahmood Hussain and Sims, Julian and Choudrie, Jyoti and Willis, Robert
(2020)
Are there peas in a pod when considering mobile phone and mobile applications use: A quantitative study.
Journal of Retailing and Consumer Services, 55 (102067).
ISSN 1873-1384
Lazzaro, Elisabetta
(2020)
Art at the crossroads between creativity, innovation, digital technology and business, a case study.
In:
Teaching cultural economics.
Teaching Economics
.
Edward Elgar Publishing, Cheltenham, pp. 238-244.
ISBN 9781788970730
Olding, Simon and Odundo, Magdalene and Matsuzaki, Yuko and Suzuki, Sadahiro
(2020)
Bernard Leach: discovered archives.
Crafts Study Centre, University for the Creative Arts.
ISBN 9781916297111
Clayton, Wickham
(2020)
The Bible onscreen in the new millennium.
Manchester University Press.
ISBN 9781526136572
(In Press)
Lazzaro, Elisabetta
(2020)
Blockchain opportunities and challenges in the art market.
In:
Opportunities and challenges of art and antiques market management 85.
National Heritage Board of Latvia, Riga, pp. 85-103.
ISBN 9789934886959
Charter, Martin and Sherry, Jude and O’Connor, Frank
(2020)
Blue circular economy: opportunities for circular business models and circular design related to fishing gear (version 2).
Project Report.
Centre for Sustainable Design (CfSD).
Clayton, Wickham
(2020)
‘Can anything good come out of southern California?’* (*hyperlink to John 1:46)1: the Christian critical reception of elliptical Jesus narratives.
In:
The Bible onscreen in the new millennium: new heart and new spirit.
Manchester University Press.
ISBN 9781526136572
Item availability restricted.
Li, Junxiong and Hallsworth, Alan G. and Coca‐Stefaniak, J. Andres
(2020)
Changing grocery shopping behaviours among Chinese consumers at the outset of the COVID‐19 outbreak.
Tijdschrift voor economische en sociale geografie, 111 (3).
pp. 574-583.
ISSN 1467-9663
Connolly, Stephen
(2020)
Chek Lap Kok (Hong Kong Airport) 21.00 01.12.19.
Screenworks, 11 (1).
ISSN 2514-3123
Connolly, Stephen
(2020)
Chek Lap Kok 21.00 01.12.19 - Intervals Collective - Future_Tense: how to envisage the future? group online exhibition.
[Video]
Connolly, Stephen
(2020)
Chep Lap Kok (Hong Kong Airport) 21.00 01.12.20.
In: Affect & Social Media#4.5 - Media Virality and the Lockdown Aesthetic, 16-18 July 2020, Online.
Charter, Martin
(2020)
Circular Ocean (multi-component output).
Circular Ocean.
Jardim, Marilia
(2020)
The Corset and the Hijab. Absence and presence in the 19th and 20th-century Fashion system.
Actes Semiotiques (123).
pp. 1-20.
ISSN 2270-4957
Cozza, Michela and Gherardi, Silvia and Graziano, Valeria and Johansson, Janet and Mondon-Navazo, Mathilde and Murgia, Annalisa and Trogal, Kim
(2020)
Covid‐19 as a breakdown in the texture of social practices.
Gender, Work & Organization.
ISSN 1468-0432
Charter, Martin and Davis, Trevor
(2020)
Creative industries foresight 2030: sustainability industry 4.0.
Project Report.
University for the Creative Arts.
Lazzaro, Elisabetta and Noonan, Douglas
(2020)
Cultural and creative crowdfunding: a comparative analysis of regulatory frameworks in Europe and the USA.
International Journal of Cultural Policy, 27 (5).
pp. 590-606.
ISSN 1028-6632 (Print); 1477-2833 (Online)
Olding, Simon
(2020)
Discourse on the re-configuration of craft.
.
(Unpublished)
Massey, Anne
(2020)
Dorothy Morland: making ICA history.
Value: Art: Politics, 16
.
Liverpool University Press, Liverpool.
ISBN 9781789621273
(In Press)
Item availability restricted.
Day, Christine
(2020)
Drawing water, drawing breath, drawing thread: a synthesis of clinical and creative practice through space-time.
PhD thesis, University for the Creative Arts/University of the Arts London.
Jones, Denise
(2020)
Embroidering and the body under threat: suffragette embroidered cloths worked in Holloway Prison, 1911-1912.
PhD thesis, University for the Creative Arts/University of the Arts London.
Andersdotter, Sara
(2020)
Everywhere animals appear: non-human fables in the land of lenses.
In: The Animal Gaze Constructed, 6-7 March 2020, London Metropolitan University, London, UK.
(Unpublished)
Couch, Amanda
(2020)
Extispicy in the Everyday: An Exploration of Human-Environment Binaries Through the Gut for The Royal College of Physicians.
In: Extispicy in the Everyday: An Exploration of Human-Environment Binaries Through the Gut, 19 September 2020, Online via Royal College of Physicians.
(Unpublished)
Fox, Anna and Knorr, Karen and Wainwright, Jean
(2020)
Fast Forward: changing attitudes and experiences for women in photography (Impact).
UCA.
Wainwright, Jean
(2020)
Fast forward and rewind: voices of women photographers.
Photography and Culture.
ISSN 1751-4517 (online); 1751-4525 (print)
Connolly, Stephen and Nardelli, Matilde
(2020)
From counter-culture to the Capitalocene: Antonioni’s Zabriskie Point at 50.
In: Symposium: From Counter-culture to the Capitalocene: Antonioni’s Zabriskie Point at 50, 14 February 2020, University for the Creative Arts, Farnham, UK.
(Unpublished)
Spekkink, Wouter and Rödl, Malte and Charter, Martin
(2020)
Global survey of precious plastic projects: a summary of findings.
Project Report.
University of Manchester / University for the Creative Arts.
Kelley, Victoria
(2020)
Home and work: housework and paid work in British homes.
In:
A cultural history of the home in the age of empire (1800-1920).
The Cultural History Series
.
Bloomsbury, London.
ISBN 978-1-4725-8429-8
(In Press)
Whittall, Abigail
(2020)
Horrors of the Second World War: Nazi monsters on 21st century screens.
PhD thesis, University of Winchester.
Millar, Lesley
(2020)
Innovative Textiles Curation: Enabling Arts Organisations to Deliver Institutional Strategies (Impact).
UCA.
Clayton, Wickham
(2020)
Introduction.
In:
The Bible onscreen in the new millennium: new heart and new spirit.
Manchester University Press, Manchester.
ISBN 9781526136572
Digkas, Grigoris
(2020)
Ithacas, a photographic journey: exile and displacement arising from the Greek crisis.
PhD thesis, University for the Creative Arts/University of Brighton.
Clayton, Wickham
(2020)
Killing the sad fat guy and the pregnant lady: uncomfortable death in Friday the 13th Part III - 3D.
Horror Homeroom, 1 (1).
pp. 71-79.
Bland, Adrian
(2020)
Modern block printed textiles (working title).
[2D Design, Craft, Curation, Exhibition/show, Fashion, Printmaking, Textiles]
Fox, Anna
(2020)
My Mother's Cupboards & My Father's Words.
Here Press, London.
ISBN 9781999349448
Burgoyne, Greig
(2020)
Negotiations.
[Drawing, Exhibition/show, Film, Installation, Performance, Sculpture, Site-specific work]
Wainwright, Jean and Sendas, Noé
(2020)
Noé Sendas: the shape of things to come.
In:
Noé Sendas.
Skira, pp. 26-34.
Harasymowicz, Slawa
(2020)
Onomatopee 151
The Trouble with Value.
In:
Onomatopee 151 The Trouble with Value.
Onomatopee, Eindhoven.
(In Press)
Burgoyne, Greig
(2020)
Papier Skulptural.
[Drawing, Exhibition/show, Installation, Performance, Site-specific work, Video]
Foá, Maryclare and Grisewood, Jane and Hosea, Birgitta and McCall, Carali
(2020)
Performance drawing: new practices since 1945.
Drawing In
.
Bloomsbury, London.
Item availability restricted.
Eberl, Hans-Christian and Charter, Martin
(2020)
Products and circular economy: policy recommendations derived from research & innovation projects.
Project Report.
European Commission, Brussels.
Ozguner, Artun
(2020)
Public reminiscence and official commemoration: the Paris Commune of 1871 and the Gezi protests of 2013.
Design and culture.
ISSN 1754-7075 (Print) 1754-7083 (Online)
(In Press)
Knorr, Karen
(2020)
Questions (after Brecht).
Gost Books.
ISBN 9781910401484
Charter, Martin
(2020)
Repair Cafés (Multi-component output).
cfsd.
Clayton, Wickham
(2020)
SEE!HEAR!CUT!KILL!: Experiencing Friday the 13th.
Other.
University Press of Mississippi.
Item availability restricted.
Street, Kate
(2020)
Select Dream.
[Curation, Digital art, Exhibition/show, Painting, Photography, Public art]
Wainwright, Jean
(2020)
Small lies? Authenticity and the artist interview.
Journal of Art Historiography (23).
ISSN 2042-4752
Reimers, Anne
(2020)
Sotheby's.
In:
The Art Market Dictionary.
De Gruyter, Berlin.
(Submitted)
Burgoyne, Greig
(2020)
Spaceman.
[Drawing, Exhibition/show, Film, Installation, Performance, Site-specific work]
Baker, Camille
(2020)
Wearing data: intentions and tensions of art and design in performance using wearables.
In:
The Routledge companion to mobile media art.
Routledge, pp. 387-398.
ISBN 9780367197162
Item availability restricted.
Sampson, Ellen
(2020)
Worn: footwear, attachment and affects of wear.
Bloomsbury Academic, London.
ISBN 9781350087187
Rogers, Kathleen
(2020)
Writing in the Body, the Dark Matter of the Genome.
In:
18th International Meeting of Art, Science and Technology: The Admirable Order of Things: art, emotion and technology.
International Meeting of Art, Science and Technology
.
University of Aveiro, Portugal/Media Lab/BR, Portugal/Brasil, pp. 492-502.
ISBN 2238-0272
Item availability restricted.
Fox, Anna
(2020)
The Zwarte Piet Trilogy.
Schilt Publishing, Amsterdam.
(Unpublished)
Solomons, Erin
(2020)
The body as a battlefield: a practice-based, empathic approach towards non-suicidal self-injury through schema therapy, the American Civil War, and bodily performance.
PhD thesis, University for the Creative Arts / University of the Arts London.
Lindsey, Matt
(2020)
A culture of texts.
In:
A Companion to Photography.
Wiley Blackwell, pp. 155-171.
Item availability restricted.
Trafford, James
(2020)
The empire at home: internal colonies and the end of Britain.
Pluto.
ISBN 9780745341002
Item availability restricted.
Ambrose, Gavin and Harris, Paul and Theodosiou, Sallyanne
(2020)
The fundamentals of typography.
Bloomsbury, London & New York.
ISBN 9781474270366