Reimers, Anne (2022) The 'new woman' in white: tennis dress in fashion magazines and painting in 1920s Germany. In: Fashioning the Body for Sport and Leisure: A History of Sport and Textiles. International Conference of Dress Historians, 30 September - 1 October 2022, Art Workers Guild, London, UK.

Reimers, Anne (2022) The new and the outmoded: on the temporal and sacrificial nature of fashion. In: Can Fashion Be Defended? A Symposium in Memory of Djurdja Bartlett, 11 July 2022, London College of Fashion.

Reimers, Anne (2022) Fashion, media and celebrity culture in two portraits by Otto Dix. In: Réévaluer la Nouvelle Objectivité et August Sander. Colloque international, 12-13 May 2022, Centre Pompidou, Paris, and Fondation Max Weber - Centre allemand d’histoire de l’art, Paris. (Unpublished)

Reimers, Anne (2022) "I am in favour of a black-and-white print that does not correspond to the original" (Otto Dix): Weimar Germany's print media culture and oil painting in reproduction. In: Avant-Garde Art on Paper in Europe, 1905-1950, 23 -25 March 2022, Royal Museums of Fine Arts of Belgium, Brussels. (Unpublished)

Reimers, Anne (2022) Otto Dix and Weimar media culture: time, fashion and photography in portrait paintings of the Neue Sachlichkeit. German Visual Culture, 11 . Peter Lang Academic Publishers, Oxford, Bern, Berlin, Bruxelles, New York, Wien. ISBN 9781800791237

Reimers, Anne (2020) Sotheby's. In: The Art Market Dictionary. De Gruyter, Berlin. (Submitted)

Reimers, Anne (2018) Against Kunstkonfektion: art and the problem of fashion in 1920s German arts criticism. In: Signs and symbols: dress at the intersection between image and realia. de Gruyter, Berlin, pp. 245-267. ISBN 9783110515909

Reimers, Anne (2018) Inscribing temporality, containing fashion: Otto Dix's portrait of the dancer Anita Berber recontextualized. Art History. ISSN 0141-6790

Reimers, Anne (2018) Entries. In: The fifth BMW art guide by independent collectors. Hatje Cantz, Berlin. ISBN 9783775744744

Reimers, Anne (2017) Buy art, support an artist: how to create a sustainable collection. In: Creating a sustainable collection, 15 February 2017, Somerset House, London, UK. (Unpublished)

Reimers, Anne and Barillà, Silvia Anna and Büsing, Nicole and Forbes, Alexander and Fulton, Jenni and Klaas, Heiko and Meixner, Christiane (2016) The fourth BMW art guide by independent collectors. Hatje Cantz, Berlin. ISBN 9783775742214

Reimers, Anne (2016) Modeallüre oder Zeittendenz? Zeitlichkeit, Modebegriffe und die Grenzen der Kunstgeschichte in der Kunstkritik der Weimarer Republik. In: Herausgefordert von der Gegenwart: Fragen der kunstkritischen Praxis gestern und heute, 1 July 2016, Art History Department, University of Bochum, Germany. (Unpublished)

Reimers, Anne (2016) Temporality, style and the vocabulary of fashion in 1920s German arts criticism. In: Signs and symbols: dress at the intersection between image and realia, 18 - 21 February 2016, Humboldt University, Berlin, Germany. (Unpublished)

Reimers, Anne (2016) Fashion icons: Ali McGraw. Bloomsbury.

Reimers, Anne (2016) Fashion icons: Brooke Shields. Bloomsbury.

Reimers, Anne (2015) On aesthetic pleasure: the problem of 'fashion' in 1920s German art journals. In: Association of Art Historians (AAH) Summer Symposium 2015: Fashion & Art History, 29-30 June 2015, University of York, UK. (Unpublished)

Reimers, Anne (2015) Dance, drugs and vampiric people: Anita Berber and Otto Dix, Berlin 1925. In: Disseminating Dress: Britain and the Fashion World, 28-30 May 2015, University of York, UK. (Unpublished)

Reimers, Anne and Barillà, Silvia Maria and Büsing, Nicole and Forbes, Alexander and Klaas, Heiko and Meixner, Christiane (2015) The third BMW art guide by independent collectors. Hatje Cantz, Berlin. ISBN 9783775739436

Reimers, Anne (2014) From fashion icon to incarnation of the abject: Anita Berber and Otto Dix. In: Vile women: female evil in fact, fiction and mythology. At the Interface, 1 . Inter-Disciplinary Press, Oxford, pp. 2-20. ISBN 9781848882881

Reimers, Anne (2013) From fashion icon to priestess of depravity: the dancer Anita Berber in 1920s Berlin. In: Evil Women and the Feminine, May 2013, Prague. (Unpublished)

Reimers, Anne (2011) Cool glamour: fashion and identity in Christian Schad's portrait "Sonja" (1928). In: Fashion: Exploring Critical Issues: 3rd Global Conference, 22-25 September 2011, Mansfield College, Oxford University, Oxford, UK. (Unpublished)

Reimers, Anne and Garrett, Leigh (2009) Piloting Turnitin as a plagiarism detection tool for BA (Hons) dissertations. In: UCA Learning and Teaching Conference, January 2009, British Library, London. (Unpublished)

Reimers, Anne (2008) The 1st year curriculum: enhancing motivation and retention of creative arts students in the contextual studies unit. In: Enhancing curricula: using research and enquiry to inform student learning in the disciplines. Centre for Learning and Learning in Art and Design (CLTAD), New York/London, pp. 63-77. ISBN 9780956038203

Reimers, Anne (2001) Ein Holzschnitt von Herzog Phillip dem Guten von Burgund in der Cronycke van Hollandt Zeelandt ende Vrieslandt, Leiden 1517. In: Genie ohne Namen: der Meister des Bartholomäus-Altars / Genius without a Name: The Master of the Bartholomew-Altarpiece. Dumont, Cologne, pp. 366-367. ISBN 9783770152995