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Panse, Silke (2023) Ethical materalities in art and moving images. Bloomsbury Academic, New York and London.

Panse, Silke (2022) There are no extinctions in relations without bodies: on the violence offlat relational ontologies. PARSE Journal (15). ISSN 2002-0953

Panse, Silke (2017) Men in huts in woods: independence, transcendentalism and technology in James Benning's Thoreau and Kaczynski documentaries and exhibition. In: James Benning's environments: politics, ecology, duration. Edinburgh University Press. ISBN 9781474417945 Item availability restricted.

Panse, Silke (2016) An eco-aesthetics of documentary moving images: protagonists between materialisms and realisms. In: Higher Seminar in Cinema Studies, 21 April 2016, Stockholm University, Sweden.

Panse, Silke (2015) Introduction to part III: work. In: A companion to contemporary documentary film. Wiley-Blackwell Publishing, Boston, MA, pp. 145-154. ISBN 9780470671641

Panse, Silke (2015) The work of the documentary protagonist: the material labor of aesthetics. In: A companion to contemporary documentary film. Wiley-Blackwell Publishing, Boston, MA. ISBN 9780470671641 Item availability restricted.

Panse, Silke (2014) The work and the rights of the documentary protagonist. In: Marx at the movies: revisiting history, theory and practice. Palgrave Macmillan. ISBN 9781137378606 Item availability restricted.

Panse, Silke (2014) Symposium. In: Screening Nature: Life, Catastrophes and Eco-sophy, 9 May 2014, Queen Mary, University of London. (Unpublished)

Panse, Silke (2014) The judging spectator in the image. In: A Critique of Judgment in Film and Television, 8 May 2014, The Showroom, London.

Panse, Silke and Rothermel, Dennis (2014) Judgement between ethics and aesthetics: an introduction. In: A critique of judgment in film and television. Palgrave Macmillan, Basingstoke, pp. 1-32. ISBN 9781137014191

Panse, Silke and Rothermel, Dennis (2014) A critique of judgment in film and television. Palgrave Macmillan, Basingstoke. ISBN 9781137014191

Panse, Silke (2014) The judging spectator in the image. In: A critique of judgment in film and television. Palgrave Macmillan, Basingstoke, pp. 33-70. ISBN 9781137014191 Item availability restricted.

Panse, Silke (2013) Land as protagonist – an interview with James Benning. In: Screening nature: cinema beyond the human. Berghahn, Oxford. ISBN 9781782382270 Item availability restricted.

Panse, Silke (2013) Ten skies, 13 lakes, 15 pools - structure, immanence and eco-aesthetics in 'The Swimmer' and James Benning's land films. In: Screening nature: cinema beyond the human. Berghahn, Oxford. ISBN 9781782382270

Panse, Silke (2013) Judgement after Kant, Deleuze and television. In: 6th Deleuze Studies Conference, 8-10 July 2013, University of Lisbon.

Panse, Silke (2013) Planes in the plane of immanence, or: who or what moves the leaves. In: Screening Nature. Flora, Fauna and the Moving Image, 18-19 May 2013, Queen Mary, University of London, and Whitechapel Gallery, London.

Panse, Silke (2013) Symposium and screenings. In: Screening Nature. Flora, Fauna and the Moving Image, 18-19 May 2013, Queen Mary, University of London, and Whitechapel Gallery, London.

Panse, Silke (2013) Snow Business. [Film]

Panse, Silke (2012) The work of the documentary protagonist. In: Marx at the Movies, 16 March 2012, University of Central Lancashire, Preston.

Panse, Silke (2011) Moving tears moving images: A critique of judgement in documentary television. In: Visible Evidence XVIII, 12 August 2011, Tisch School of the Arts, New York University. (Unpublished)

Panse, Silke (2011) Towards a sculptural reading of scale and size in film and television: miniature models and opaque realism. In: The Big Screen vs. The Small Screen, 16 February 2011, Christ Church University, Canterbury. (Unpublished)

Panse, Silke (2010) Land Film: Subjectivities and Structure, Ecology and Economy in James Benning’s Documentaries. In: Visible Evidence XVII, 11 August 2010, Bogazici University, Istanbul. (In Press)

Panse, Silke (2010) Land Film: Subjectivities and Structure, Ecology and Economy in James Benning’s Documentaries. In: Third International Deleuze Studies Conference, 13 July 2010, University of Amsterdam. (In Press)

Panse, Silke (2010) On the dominance of experience. In: Documentary Now!, 17 January 2010, Birkbeck College, London. (Unpublished)

Panse, Silke (2009) Neither here nor there. [Video]

Panse, Silke (2009) On the dominance of experience. In: Visible Evidence XVI, 16 August 2009, University of Southern California, Los Angeles. (Unpublished)

Panse, Silke (2009) What drawings can do that films can't. In: Blind movies. University of Oxford, Oxford. ISBN 9780953852574 Item availability restricted.

Panse, Silke (2008) Collective subjectivity in 'The Children of Golzow' vs alienation in 'Western' interview documentary. In: Rethinking documentary: new perspectives, new practices. Open University Press, Buckingham, UK, pp. 67-81. ISBN 9780335221912

Panse, Silke (2008) Collective subjectivity in 'The Children of Golzow' vs. Alienation in Western Interview Documentary. In: Historical Materialism, 10 November 2007, School of Oriental and African Studies, London.

Panse, Silke (2008) How Socialist Documentary became Self-reflexive: 'The Children of Golzow' from Collective Subjectivity to Individual Objectivity. In: Connecting Cultures, 3 April 2004, University of Kent, Canterbury.

Panse, Silke (2008) How socialist documentary became self-reflexive: 'The Children of Golzow' from collective subjectivity to individual objectivity. In: Society for Cinema and Media Studies, 2 April 2005, Institute for Education, London.

Panse, Silke (2008) Land of science and artness: translation, documentary and the copy. In: ‘Land of Silence and Darkness'. Four Days of Talk and Action Connecting Movies, Blindness, Drawing, Perception and Neuroscience, 14 May 2008, Magdalen College, University of Oxford.

Panse, Silke (2007) Subjectivity, (self-)reflexivity and repetition in documentary. PhD thesis, University of Kent.

Panse, Silke (2007) The bullets confirm the story told by the potato: materials without motives in 'CSI: Crime Scene Investigation'. In: Reading CSI: Crime Television Under the Microscope. I. B. Tauris, London, pp. 153-166. ISBN 9781845114282

Panse, Silke (2007) “The bullets confirm the story told by the potato”: object subjectivity and materials without motives in 'CSI: Crime Scene Investigation'. In: Real Things: Matter, Materiality, Representation, July 2007, University of York.

Panse, Silke (2006) Documentary against transparency: Alexandr Sokurov’s Elegy of a Voyage. In: Staff/Student Research Presentation, Film Studies, 2002, University of Kent, Canterbury.

Panse, Silke (2006) The filmmaker as rueckenfigur, documentary as painting: Alexandr Sokurov in 'Elegy of a Voyage'. Third Text: Critical perspectives on contemporary art & culture, 20 (1). pp. 9-25. ISSN 0952-8822 Item availability restricted.

Panse, Silke (2005) Alexandr Sokurov. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 1232-1234. ISBN 1-57958-445-4

Panse, Silke (2005) Believing in documentary? Werner Herzog’s “Jesus” as a deleuzian simulacrum. In: The Ethics and Politics of Virtuality and Indexicality, July 2005, University of Leeds. (Unpublished)

Panse, Silke (2005) Between the visionary and the documentary: self-reflexivity and physicality in Werner Herzog’s documentaries. In: Werner Herzog’s Cinema between the Visionary and the Documentary, 17 September 2005, Goethe Institute, London. (Unpublished)

Panse, Silke (2005) Eberhard Fechner. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 386-388. ISBN 1-57958-445-4

Panse, Silke (2005) Hartmut Bitomsky. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 120-122. ISBN 1-57958-445-4

Panse, Silke (2005) Winfried and Barbara Junge. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 695-699. ISBN 1-57958-445-4

Panse, Silke (2001) Autobiographical art beyond post-structuralism: Tracey Emin’s life-stories and their reception as celebrity biography. In: Texts of Testimony: Autobiography, Life-Story Narratives and the Public Sphere, 2001, John Moore University, Liverpool. (Unpublished)

Panse, Silke (2001) Promiscuous narrations: Tracey Emin between biography and autobiography. In: Console-ing Passions: Television, Video, Feminism, New Media, 2001, University of Bristol. (Unpublished)

Panse, Silke (2000) Book review 'The New Documentary: A Critical Introduction'. Film Studies: An International Review, 3. pp. 92-96. ISSN 1469-0314

Panse, Silke (2000) Artists and models: re-enactments and other repetitions in life, art and the jungle in the documentary works of Werner Herzog and Tracey Emin. In: Visible Evidence VIII, 2000, University of Utrecht, Netherlands. (Unpublished)

Panse, Silke (2000) Werner Herzog’s Documentaries in the Aftermath of Fiction. In: Staff/Student Research Presentation, Film Studies, 2000, University of Kent, Canterbury. (Unpublished)