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Panse, Silke (2019) Documentary between realism and materialism: an eco-aesthetic ontology. . (Unpublished) Item not available online.

Panse, Silke (2019) Ethical materalities in art and moving images. Bloomsbury Academic, New York and London. (Unpublished) Item not available online.

Panse, Silke (2019) For innocence, against purity. In: Ethical Materialities in Art and Moving Images. Bloomsbury Academic, New York and London. (Unpublished) Item not available online.

Panse, Silke (2019) An introduction to ethical materialities. In: Ethical Materialities in Art and Moving Images. Bloomsbury Academic, New York and London. ISBN 9781501339363 (Unpublished) Item not available online.

Panse, Silke (2017) Men in huts in woods: independence, transcendentalism and technology in James Benning's Thoreau and Kaczynski documentaries and exhibition. In: James Benning's environments: politics, ecology, duration. Edinburgh University Press. ISBN 9781474417945 Item availability restricted.

Panse, Silke (2016) An eco-aesthetics of documentary moving images: protagonists between materialisms and realisms. In: Higher Seminar in Cinema Studies, 21 April 2016, Stockholm University, Sweden. (Unpublished) Item not available online.

Panse, Silke (2015) Introduction to part III: work. In: A companion to contemporary documentary film. Wiley-Blackwell Publishing, Boston, MA, pp. 145-154. ISBN 9780470671641 Item not available online.

Panse, Silke (2015) The work of the documentary protagonist: the material labor of aesthetics. In: A companion to contemporary documentary film. Wiley-Blackwell Publishing, Boston, MA. ISBN 9780470671641 Item availability restricted.

Panse, Silke (2014) The work and the rights of the documentary protagonist. In: Marx at the movies: revisiting history, theory and practice. Palgrave Macmillan. ISBN 9781137378606 Item availability restricted.

Panse, Silke (2014) Symposium. In: Screening Nature: Life, Catastrophes and Eco-sophy, 9 May 2014, Queen Mary, University of London. (Unpublished) Item not available online.

Panse, Silke (2014) The judging spectator in the image. In: A Critique of Judgment in Film and Television, 8 May 2014, The Showroom, London. Item not available online.

Panse, Silke and Rothermel, Dennis (2014) Judgement between ethics and aesthetics: an introduction. In: A critique of judgment in film and television. Palgrave Macmillan, Basingstoke, pp. 1-32. ISBN 9781137014191 Item not available online.

Panse, Silke and Rothermel, Dennis (2014) A critique of judgment in film and television. Palgrave Macmillan, Basingstoke. ISBN 9781137014191 Item not available online.

Panse, Silke (2014) The judging spectator in the image. In: A critique of judgment in film and television. Palgrave Macmillan, Basingstoke, pp. 33-70. ISBN 9781137014191 Item availability restricted.

Panse, Silke (2013) Land as protagonist – an interview with James Benning. In: Screening nature: cinema beyond the human. Berghahn, Oxford. ISBN 9781782382270 Item availability restricted.

Panse, Silke (2013) Ten skies, 13 lakes, 15 pools - structure, immanence and eco-aesthetics in 'The Swimmer' and James Benning's land films. In: Screening nature: cinema beyond the human. Berghahn, Oxford. ISBN 9781782382270 Item not available online.

Panse, Silke (2013) Judgement after Kant, Deleuze and television. In: 6th Deleuze Studies Conference, 8-10 July 2013, University of Lisbon. Item not available online.

Panse, Silke (2013) Planes in the plane of immanence, or: who or what moves the leaves. In: Screening Nature. Flora, Fauna and the Moving Image, 18-19 May 2013, Queen Mary, University of London, and Whitechapel Gallery, London. Item not available online.

Panse, Silke (2013) Symposium and screenings. In: Screening Nature. Flora, Fauna and the Moving Image, 18-19 May 2013, Queen Mary, University of London, and Whitechapel Gallery, London.

Panse, Silke (2013) Snow Business. [Film]

Panse, Silke (2012) The work of the documentary protagonist. In: Marx at the Movies, 16 March 2012, University of Central Lancashire, Preston. Item not available online.

Panse, Silke (2011) Moving tears moving images: A critique of judgment in documentary television. In: Visible Evidence XVIII, 12 August 2011, Tisch School of the Arts, New York University. (Unpublished) Item not available online.

Panse, Silke (2011) Towards a sculptural reading of scale and size in film and television: miniature models and opaque realism. In: The Big Screen vs. The Small Screen, 16 February 2011, Christ Church University, Canterbury. (Unpublished) Item not available online.

Panse, Silke (2010) Land Film: Subjectivities and Structure, Ecology and Economy in James Benning’s Documentaries. In: Visible Evidence XVII, 11 August 2010, Bogazici University, Istanbul. (In Press) Item not available online.

Panse, Silke (2010) Land Film: Subjectivities and Structure, Ecology and Economy in James Benning’s Documentaries. In: Third International Deleuze Studies Conference, 13 July 2010, University of Amsterdam. (In Press) Item not available online.

Panse, Silke (2010) On the dominance of experience. In: Documentary Now!, 17 January 2010, Birkbeck College, London. (Unpublished) Item not available online.

Panse, Silke (2009) Neither here nor there. [Video] Item not available online.

Panse, Silke (2009) On the dominance of experience. In: Visible Evidence XVI, 16 August 2009, University of Southern California, Los Angeles. (Unpublished) Item not available online.

Panse, Silke (2009) What drawings can do that films can't. In: Blind movies. University of Oxford, Oxford. ISBN 9780953852574 Item availability restricted.

Panse, Silke (2008) Collective subjectivity in 'The Children of Golzow' vs alienation in 'Western' interview documentary. In: Rethinking documentary: new perspectives, new practices. Open University Press, Buckingham, UK, pp. 67-81. ISBN 9780335221912 Item not available online.

Panse, Silke (2008) Collective subjectivity in 'The Children of Golzow' vs. Alienation in Western Interview Documentary. In: Historical Materialism, 10 November 2007, School of Oriental and African Studies, London. Item not available online.

Panse, Silke (2008) How Socialist Documentary became Self-reflexive: 'The Children of Golzow' from Collective Subjectivity to Individual Objectivity. In: Connecting Cultures, 3 April 2004, University of Kent, Canterbury. Item not available online.

Panse, Silke (2008) How socialist documentary became self-reflexive: 'The Children of Golzow' from collective subjectivity to individual objectivity. In: Society for Cinema and Media Studies, 2 April 2005, Institute for Education, London. Item not available online.

Panse, Silke (2008) Land of science and artness: translation, documentary and the copy. In: ‘Land of Silence and Darkness'. Four Days of Talk and Action Connecting Movies, Blindness, Drawing, Perception and Neuroscience, 14 May 2008, Magdalen College, University of Oxford. Item not available online.

Panse, Silke (2007) Subjectivity, (self-)reflexivity and repetition in documentary. PhD thesis, University of Kent. Item not available online.

Panse, Silke (2007) The bullets confirm the story told by the potato: materials without motives in 'CSI: Crime Scene Investigation'. In: Reading CSI: Crime Television Under the Microscope. I. B. Tauris, London, pp. 153-166. ISBN 9781845114282 Item not available online.

Panse, Silke (2007) “The bullets confirm the story told by the potato”: object subjectivity and materials without motives in 'CSI: Crime Scene Investigation'. In: Real Things: Matter, Materiality, Representation, July 2007, University of York. Item not available online.

Panse, Silke (2006) Documentary against transparency: Alexandr Sokurov’s Elegy of a Voyage. In: Staff/Student Research Presentation, Film Studies, 2002, University of Kent, Canterbury. Item not available online.

Panse, Silke (2006) The filmmaker as rueckenfigur, documentary as painting: Alexandr Sokurov in 'Elegy of a Voyage'. Third Text: Critical perspectives on contemporary art & culture, 20 (1). pp. 9-25. ISSN 0952-8822 Item availability restricted.

Panse, Silke (2005) Alexandr Sokurov. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 1232-1234. ISBN 1-57958-445-4 Item not available online.

Panse, Silke (2005) Believing in documentary? Werner Herzog’s “Jesus” as a deleuzian simulacrum. In: The Ethics and Politics of Virtuality and Indexicality, July 2005, University of Leeds. (Unpublished) Item not available online.

Panse, Silke (2005) Between the visionary and the documentary: self-reflexivity and physicality in Werner Herzog’s documentaries. In: Werner Herzog’s Cinema between the Visionary and the Documentary, 17 September 2005, Goethe Institute, London. (Unpublished) Item not available online.

Panse, Silke (2005) Eberhard Fechner. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 386-388. ISBN 1-57958-445-4 Item not available online.

Panse, Silke (2005) Hartmut Bitomsky. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 120-122. ISBN 1-57958-445-4 Item not available online.

Panse, Silke (2005) Winfried and Barbara Junge. In: Encyclopedia of the Documentary Film. Taylor and Francis, New York and London, pp. 695-699. ISBN 1-57958-445-4 Item not available online.

Panse, Silke (2001) Autobiographical art beyond post-structuralism: Tracey Emin’s life-stories and their reception as celebrity biography. In: Texts of Testimony: Autobiography, Life-Story Narratives and the Public Sphere, 2001, John Moore University, Liverpool. (Unpublished) Item not available online.

Panse, Silke (2001) Promiscuous narrations: Tracey Emin between biography and autobiography. In: Console-ing Passions: Television, Video, Feminism, New Media, 2001, University of Bristol. (Unpublished) Item not available online.

Panse, Silke (2000) Book review 'The New Documentary: A Critical Introduction'. Film Studies: An International Review, 3. pp. 92-96. ISSN 1469-0314 Item not available online.

Panse, Silke (2000) Artists and models: re-enactments and other repetitions in life, art and the jungle in the documentary works of Werner Herzog and Tracey Emin. In: Visible Evidence VIII, 2000, University of Utrecht, Netherlands. (Unpublished) Item not available online.

Panse, Silke (2000) Werner Herzog’s Documentaries in the Aftermath of Fiction. In: Staff/Student Research Presentation, Film Studies, 2000, University of Kent, Canterbury. (Unpublished) Item not available online.