Bernard Leach was one of the first, great, donors to the emerging Crafts Study Centre. He donated a substantial body of his own ceramics, including rare early pieces; he also gifted his personal study collection of Oriental ceramics and early English pottery (inspirational pots 'that gave me joy'). His archive of prolific writings, diaries, photographs and extensive correspondence is an unrivalled source for research and study and is called on by scholars internationally. More recently, gifts have been made of new personal papers as well as the etching plates that Leach worked on between 1907-8 as a student and then in Japan until 1920.

These etching plates remind us that Leach began his career intending to be a fine artist. Whilst he produced etchings in Japan during his first creative steps, he remained committed to drawing throughout his life and his skill as a painter of pots remains one of his distinguishing attributes. This new exhibition brings together archives. etchings and drawings together with his early ceramics to present a rounded portrait of an eminent artist discovering a life-long interest in and aptitude for ceramics, set in the context of his first love of drawing.

The exhibition has been curated by Jean Vacher, Collections Manager of the Crafts Study Centre.

Many of these etchings have rarely been seen in the museum environment, and the project, generously supported by the Daiwa Anglo-Japanese Foundation, is intended to stimulate a wider understanding of Leach's output as an etcher, and possibly to bring new etchings to light. The project is published in partnership with The Leach Pottery, St Ives.

A new essay The etchings of Bernard Leach by Professor Simon Olding will be published in 2010 as a contribution to the 40th birthday celebrations of the Crafts Study Centre. The book will illustrate a new research edition made by the artist Martyn Brewster from Leach's own etching plates.