Rogers, Kathleen (2019) Home - photographic folio series. [Photography]
![]() Remembering the Unknown (14MB) |
Creators: | Rogers, Kathleen |
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Description/Abstract: | This photo folio explores concepts drawn from intergenerational post-genomic research, exploring my own close family history, genealogical archives and the history of the child welfare system. My theoretical approaches are drawn from Barad’s account of quantum entanglement and post-human performativity and Baer’s conceptual frame working of second witnessing. The work reflects on post-genomic research suggests that experiences, in the form of epigenetic cues, can be passed down from generation to generation. The conceptual premise of Remembering the Unknown is based on the second witnessing of my father's life within the ideological landscape of the “sunshine “cottage homes orphanage colony of Styal, Wilmslow established on the Cheshire/Greater Manchester borders in 1895. The colony, as it was called, was envisaged as an island apart from society, a utopian children’s orphanage village set in the open air and in the countryside beyond the established overcrowded workhouse conditions and systems of Manchester. The Victorian buildings of what was a small village are now part of HM Prison Styal, a closed category establishment for female adults and young offenders. In effect, a trans-historical environment of moral reform. He spent his whole childhood and youth there as children were rarely allowed to leave the enclosed community. This kind of early hardship, lack of warmth and affection and socialisation is known to lead to permanent developmental changes in the fundamental structures material structures of the body. It was commented that the Styal “home” children were almost mute and had difficulties communicating with outsiders. My father was discharged from Styal Cottage Homes directly into Merchant Ship training in Liverpool at 14. The militaristic regime and the endeavour to construct model citizens from orphaned and abandoned children had an overwhelming impact on all the children who had already experienced neglect – it was a harsh regime where everything was done to a schedule - there was no self-directed play - everyone would eat at the same time – sets of repeated acts – patterned rules – movements – regulations – a state of enforced isolation. New epigenetic research goes beyond the model of the genome as the sole agency in inheritance to provide new evidence of how trauma such as my fathers’ may be passed on intergenerationally to impact family life and family relationships of future generations. Mining my own experience, Remembering the Unknown, resonates and brings together poetic and philosophical accounts and themes advanced in earlier FATE-MAPS-ENTANGLEMENTS projects. |
Item Type: | Art/Design Item |
Date: | March 2019 |
Copyright Holders: | Kathleen Rogers |
Material: | 20 x black and white photographs with captions, various sizes |
Measurements or Duration: | variable dimensions and installation formats |
Locations / Venues: | Location From Date To Date TBC |
Projects or Series: | FATE MAPS ENTANGLEMENTS - MATREM, CERN, I POOR ORPHAN, HERE THERE AND EVERYWHERE, THE FATE MAPS - Human Donor Series 2015, CUT’S No’s 000 – 007 |
Additional Information: | The FATE-MAPS-ENTANGLEMENTS series explores intersections between poetry and photography with the aim of contributing to emergent cross-disciplinary epigenetic research in biomedicine and the humanities that challenge fundamental assumptions about genetic inheritance, human identity and the dichotomies of nature and nurture. |
Schools: | School of Fine Art & Photography |
Related URLs: | |
Depositing User: |
Professor Kathleen Rogers
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Date Deposited: | 10 Oct 2019 15:52 |
Last Modified: | 10 Oct 2019 15:55 |
URI: | https://research.uca.ac.uk/id/eprint/4981 |
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