Hamlyn, Nicky (2018) Inanimation: the film performances of Bruce McClure. In: Experimental & expanded animation. Palgrave Macmillan (British Film Institute), Basingstoke, pp. 145-162. ISBN 9783319738727
Creators: | Hamlyn, Nicky |
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Description/Abstract: | Contribution to the collection of newly commissioned essays by filmmakers and theorists on the subject of expanded forms of experimental animation. The essay analyses a number of 16mm film loop performances by the Brooklyn-based filmmaker Bruce McClure. McClure performs with camera-less loops that carry patterns of alternating black and white frames. The work is shown on modified projectors that are manipulated and repositioned during the event. The neologism ‘inanimation’ is used to analyse McClure’s imageless animations, in which there is no apparent moving image, and in which sound plays a major role. The deformation of the frame, its reduction to a small dim, flickering blur, while the sound is contrastingly overwhelming and dominant, leads to a revaluation of what film is and the extent to which it can be defined by its technological resources. This is in the light of the fact that McClure’s projectors are modified and their outputs supplemented by the use of dimmers, guitar effects pedals and other augmentations. |
Item Type: | Book Section |
Date: | 1 August 2018 |
Funders: | UCA |
Additional Information: | E-book ISBN: 9783319738734 This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record will be available here: www.palgrave.com and www.link.springer.com |
Schools: | School of Fine Art & Photography |
Related URLs: | |
Depositing User: |
Nicholas Hamlyn
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Date Deposited: | 12 Dec 2017 11:28 |
Last Modified: | 03 Jun 2019 16:10 |
URI: | https://research.uca.ac.uk/id/eprint/3912 |
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