This work stems from working through ideas that are related to geometric forms generated in Premiere. Colliding streams of images generate these forms and create images together to construct random patterns within a structured layered system (see static statements for a pictorial view). This method allows for an exploration of pictorial imaging, which is not predicted by normal narrativity. This process enables the viewer to examine this process through emotional and physical responses. The room is enlightened by luminosity of the image. The work is both active and passive at the same time. Using a different combination of mats and motion files with the images layered through transparency keys have enabled this work to be developed. These works have developed into a rich form and structure, which is not predictable in any way. It follws a paintly experience but within a digital framework.

• http://www.rewind.ac.uk/documents/Stephe...